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Saturday October 11, 2008
The autocratic Valery Gergiev has stamped his mark in the Mariinsky Ballet, but is he really the right man for the job?
Merce the old master and Wheeldon’s young guns sparkle for David Jays
David Jays attends outreach project Bal Moderne and finds he is less slave to the rhythm and more murder on the dancefloor
The Royal Ballet's new season has been criticised as unadventurous, but its director says that she cannot afford risks
Rambert's Requiem may not have been especially moving or enlightening, but there's no denying its razzle-dazzle
Will Pavia joins the ladies embracing the 2012 spirit at a ballet class
Juliette Binoche shows real star quality in Akram Khan’s uneven In-i
An Australian version of Stravinsky’s ballet with Aborigines is a powerful symbol of reconciliation, says Donald Hutera
The more Christopher Wheeldon's choreography seeks out inventive and jolly ways to engage with the music the stronger it becomes
The show is a faltering, flatulent study of festering sexual jealousy that comes across more seamy than steamy
The men undulated and eddied across the stage in this triple-bill, like each other's slippery doppelgänger
Action speak louder than monologues in this 70-minute showcase from Akram Khan and Juliette Binoche
Howard Goodall describes the difficulties of composing music for dancers, and how he overcame them to write a new Requiem for the Rambert
The final round of the third biennial competition kicked off with a programme that seemed weak compared to the last two
That the Trocks dance well with deftly choreographed displays, even on pointe, is one of the keys to the company’s longevity
It is perhaps too short-lived and creatively diverse to be called a trend, and the Israeli's are certainly coming
Deloitte Ignite was a cornucopia of free performances and experiences that merged the arts and sensory stimulation
Scottish Ballet's sumptuous production of Dennis Potter's 1978 series whisks us back to a world full of decadence and glamour
Hermione Bond, 17, has become only the second British dancer to join the world’s most prestigious ballet school in Russia
Dominic Handfor won a place at the Elmhurst School for Dance so his parents paid the fees with the sale of their home


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